prize + non sequitur
I just won the Best Director prize at the 5th Annual HollyShorts Film Festival for Ten for Grandpa and to celebrate, here's a very short video I shot in Thailand earlier this month...
Thoughts, musings, behind the scenes, works in process, and with a little luck, a chronicle of the making of writer/director Doug Karr’s first feature film from development to distribution...
I just won the Best Director prize at the 5th Annual HollyShorts Film Festival for Ten for Grandpa and to celebrate, here's a very short video I shot in Thailand earlier this month...
Since Sundance, things have been progressing at breakneck speed.
Apart from that, we're also continuing to developing a bunch of TV series, documentary projects, and three other feature films so stay tuned...
It's 6am in the Lower East Side, the sun is rising over East River and I'm waiting for a render to finish. Eddie and I haven't pulled an all-nighter in a while, but when when we got approval late in the day yesterday on a spot we're directing for Nick at Nite, we knew we were in for a late one... of course a raid drive failure didn't help our cause.
OK, so that was the longest gap in this blog's history. It's not that I haven't had anything to report, quite the opposite in fact. I've been entirely overwhelmed. We're finally making some serious headway breaking into the commercial world:
Big News Item #2... our short film "Anniversary Present" , staring David Alpay (Ararat) and Liane Balaban (New Waterford Girl) was recently acquired by a number of broadcasters as well as AtomFilms where the film has so far been viewed over 166,000 times online (as of today), garnering an 83% approval rating. If you haven't seen it yet, you can check out the film in it’s entirety:
OK... so I have so much news to report that I'm gonna have to split it up into a bunch of individual posts... (sorry I've been off the radar for so long, things have been crazy) first up:
Coming right up... a series of posts covering the production of our new film "Ten For Grandpa" and other stories from the front including our recent work with Billy Crudup, Mario Batali, Piper Perabo and Allan Cumming... and much more...
Life is good. We're finally moving from the construction site that is our DUMBO office to the beautific palace of our new Soho loft space at 180 Lafayette.






Too much travel has caused my head to spin uncontrollably. Now I'm back and a million things are going on at once, which is compounding the issue. We're editing our new Malawi documentary, prepping a new film for Bravo! and re-writing "My Thermonuclear Family" for a certain interested party. In two weeks we move out of our DUMBO offices into a 3000 square foot ravioli factory in Soho that we're converting into production/office/retail space. There's a couple of other significant events that have recently taken place, but we haven't announced them publicly yet, so...
OK that seems like enough news for now. I guess I better stop procrastinating and get back to work re-writing the screenplay or editing the documentary or checking my email or something.
It feels like I'm on my round-the-world trip all over again. Just got back from two weeks working vacation in Mexico, getting a little R&R while researching and writing a new thriller screenplay, and now I'm off to Malawi, Africa on Friday.
Saturday I pitched 'My Thermonuclear Family' to a film studio here in town (which I can't name at this point) and the pitch went... VERY WELL! They really liked what they heard and the head of distribution asked to read the script immediately. I'm trying to remain cautiously optimistic, but really I'm ecstatic and I can barely contain my excitement. These are people who have the funds and ability to not only green-light a picture, but to distribute it theatrically both on a domestic and international level. And not only did they respond to my idea, they really liked what they heard and are enthusiastic enough to read my 122 page script.

I just heard the news: 'My Thermonuclear Family' is a quarterfinalist in the Fade In Awards.
This is the best possible birthday present that the cosmos could have sent my way.
Most of the time the pace of independent filmmaking is painfully slow as one develops projects and tries to get them off the ground, sending them off into the vacuum then waiting (sometimes forever) to hear back from producers, agents, actors, readers, commissioning editors, acquisitions people, etc. You keep pushing, trying to stay motivated, using all your strength and stamina to move an elephant up a mountain, and all the time you're just waiting for something to hit so you can put it on the front burner and get to work.
Well I may not have managed to raise over a million dollars yet, but I've succeded in filling up my calendar with 'Down on a Dime' writing/directing homework. I've started a 10 week acting class at Michael Howard Studios and I've also finally secured a prison volunteering spot teaching a literacy class at Riker's Island every Friday morning. So far the acting class is excellent, and I'm really looking forward to my first experience inside a correctional facility this friday.
In my newfound quest to try to understand how we arrived at this rather uncomfortable period in American history, I somehow achieved a personal milestone. I managed to sit for a dozen hours looking at still photographs. My first real glimpse into the heart of the American thirst for perpetual warfare was during my holidays in Halifax when I watched the entire eleven hour Ken Burns 'Civil War' documentary. This highly addictive episodic documentary illustrates in excruciating detail the depths of despair and destruction that our ancestors were willing to experience in the name of “freedom.”
And then this weekend, while I was visiting Washington with the truly delightful girl I'm seeing, Katie, I got to stare up into the eyes of the man behind it all, Abe Lincoln (carved out of stone in his monolithic memorial).
Now before I go bashing Abe’s aims in the American Civil War, don’t get me wrong, the emancipation of slavery was as difficult a task for a leader to achieve as say an intelligent healthcare model would be for a US president governing the ‘hold your pee for a wee’ generation, and for that I have a deep found respect for old Abe. But something in the quality of the words he spoke to me (the ones inscribed on the wall that he actually spoke to the Army of the Potomac at Gettysburg) reminded me that in order to preside over a Civil War where over half a million of your countrymen are killed, you have to have a certain fervor (or dare I say) military zealotism. The belief that we can better our own lot by killing others (or in the case of Abe's war, better the communal lot by killing those unwilling to hold hands in Union) just seems like a concept spawned from children who've yet to grow up. It seems like it might be time to move beyond such a simple concept of us and them.
I guess it didn't help my state of mind that when Katie and I went out to a local D.C. drinking-hole two out of the three people we met for cocktails were defense contractors, one of them a self-confessed "Soul selling bitch for Lockheed Martin".
With the flags at half mast for the recently fallen 'good guys'. And not-so-good-ol' "They misunderestimated me" GWB sitting, (likely not in that round office of his) more likely lounging with a half eaten pretzel and a Sunday football game somewhere in that mansion on Pennsylvania Ave, I guess I'm just starting to wonder if there is hope for growing up and establishing a new, less violent paradigm for the governments of our little planet."You know, when I campaigned here in 2000, I said, I want to be a war President. No President wants to be a war President, but I am one."Maybe China will do a better job as the dominant superpower. (Except that a whopping twenty-million folks were killed in their last Civil War… Gulp.)
—George W. Bush, Des Moines, Iowa, Oct. 26, 2006